| It's the maturity that hits you first. Songs about love, loss, hope, despair,
life and death, delivered with pristine soulfulness by a voice that could weave
a tapestry. A voice whose owner is only just finishing school.
This is Justin Nozuka, 18 years old, New York-born but Toronto-raised and
based. He's unassuming to a fault, but has made an album that's swiftly gaining
attention and doing the talking for him. Holly is being rushed into the UK
consciousness with all due speed by Outcaste, to get Justin's assured mix of
blues, folk and soul-tinged singer-songwriting to the international audience it
cries out for.
Nozuka is taking a 'have guitar, will travel' attitude to his burgeoning
career, and with songs as striking as those on Holly, it's the only way to go.
There's something compelling about the open-faced emotion he conveys in these
compositions. They run the emotional gamut from the isolation of Down In A Cold
Dirty Well, the feel good factor of I'm In Peace and wistful reflection of
Supposed To Grow Old, to the lusty blues of Be Back Soon.
Those who witnessed Justin's London performance debut at the 12 Bar Club in
January heard him finish the set with the (literally) show-stopping Save Him,
a chilling account of domestic abuse which stands as his first murder ballad. If
it was a book, they'd call it a page-turner. 'Writing that,' he says, 'it took a
couple of hours then I just started getting into the story, as if I was next
door hearing what goes on on the other side, through the wall.'
Talk to him, and the modest confidence in the songs is mirrored in the person
that created them. 'It's happening very quickly for me, but it doesn't feel
crazy,' he says. 'In Toronto I've been playing lots of shows and the following
does seem to be building. It feels like the right steps, and it feels like the
right time to be working a lot.'
Born to a Japanese father and American mother in New York, and the sixth of
seven children, Justin moved from New York at eight years old to Toronto. 'There
are lots of cool places to play, it's a good scene, especially for
singer-songwriters. It's a very musical family, I have four brothers and two
sisters. All the brothers play music, so there was always music around the
house.'
His older brother George provided particular inspiration, and still does.
'He's two years older than me. He does R&B, he just released a CD called
Believe in Canada. He started getting into music very young, and he was a huge
role model to me. He just had huge drive.'
Justin's own musical roots were laid down when he wrote his first song at the
age of 12. 'I got serious about it when I was 14. I went to an international
boarding school and that's when I started learning guitar,' he says. 'A bunch of
kids from Mexico came, and a couple of them played Mexican-Spanish guitar. My
roommate was also Mexican and started picking it up. They taught me a few songs
and I started to compose my own.'
The earliest songs on Holly came to life while he was just 15, which seems
impossible when you hear the emotional depth of Supposed To Grow Old. 'I had
just finished Grade 9, and I'd just broken up with my girlfriend. It was a
pretty serious relationship given the age I was at.'
All the songs are vividly illustrated by Nozuka's supple vocals, which weave
in and around the melody with an elasticity to rival the best Rhythm & Blues
and soul singers. 'I listened to a lot of radio and a lot of soul music, like
Lauryn Hill and Marvin Gaye. That's the way I always sang.'
And the album title? It's named after his mum. 'My parents are split up, and
my mum's just a very powerful lady. Throughout the creation of the record, I
gained a huge appreciation for her, ' he says. 'She raised seven kids by
herself. Ever since I was young, she's given me such support, which is a big
reason why I'm still doing it.'
Nozuka won't graduate until June, and while he looks forward to the greater
freedom to gig his way around the world, he's characteristically single-minded
about his studies. 'it's a great lesson for me, a great experience,' he says,
adding with quiet determination: 'I've got to do it.'
Enough of the back story. You just need to hear the music to believe in it.
'I think people now are very interested in feeling music, whether it's Damien
Rice or Ben Harper,' he says. 'It's all becoming more popular because people can
feel the bareness and know it's not manufactured. That's very attractive.' |